Kate Harding

Archive for the ‘Writing’ Category

Congrats, Jaclyn and Jessica!

In Media, Writing on November 2, 2009 at 7:18 pm

Hey, guess what made Publishers Weekly’s Best Books of 2009 list?

Yes Means Yes! Visions of Female Sexual Power and a World Without Rape
Edited by Jaclyn Friedman and Jessica Valenti (Seal)
Activist writers Friedman and Valenti present an extraordinary, eye-opening essay collection that focuses on the importance of sexual identity and ownership in the struggle against rape in the U.S., as well as a number of related issues, including sexual pleasure, self-esteem and the mixed societal messages that turn “nice guys” bad.

The anthology includes not only an essay by yours truly, but many by writers I love, including Kimberly Springer, with whom I did a Q&A here. Congrats to everyone involved, and thanks, PW!

On Polanski and Unexpected Attention

In Writing on September 30, 2009 at 2:53 am

Yesterday, I wrote the most surprisingly and immediately successful blog post of my life over at Broadsheet, “Reminder: Roman Polanski Raped a Child.”

I first realized I’d hit a nerve when I linked to it on Twitter, and the retweets started pouring in, continuously and (as of this writing) endlessly. (There have been hundreds involving “@kateharding” at this point; no clue how many links to it altogether, but I just realized bit.ly tracks clicks on your shortened links, and that one’s had 6,883 so far.) I figured something was really up when I was invited to be on a right-wing talk radio show, and I saw the article tweeted by a high-profile conservative blogger. (Who knew being disgusted with Roman Polanski would turn out to be the ever-elusive common ground between right-wing dudes and liberal feminists?) Then more media requests came in, including one from France. (I’ve been turning them all down, mostly because they all want me to do it live during work hours.) Also, an unprecedented amount of fan mail, coming via my published address, Facebook, and the general Broadsheet addy. Plus an appreciative tweet from Cheryl Strayed, a writer I’ve adored for years and certainly never expected to “meet” via her saying mywork was awesome. And then a couple of letters from journalists not looking to interview me, just telling me I’d nailed it.

The post went to number one on Salon, and is still there at this writing. This morning, I found out that in less than 24 hours, it got over 100,000 page views. (I hope I’m not revealing site secrets here, but let’s just say that’s awfully rare for Broadsheet.) Then a friend e-mailed to tell me Amy Sullivan at Time called it “the best, most comprehensive rebuttal” to Polanski supporters. Another friend pointed out the Salon post was cited on the Wikipedia entry for Polanski. Later, over at Newsweek, our new pal Kate Dailey wrote, “There have been a lot of smart and convincing rebuttals to these objections, most notably Kate Harding’s forceful, powerful essay on Salon.” Around which time, my editor wrote and said, “OMG HOW BIG IS YOUR HEAD NOW? I am putting an end to this well-deserved praise pile-on by telling you that there is something funny on your nose.” Because she is awesome like that.

Today, I wrote a follow-up rant for Jezebel, focusing on the ridiculous amount of celebrity support Polanski is getting. Neither my editor there nor I expected it to get anything like the traffic of the Salon piece — the news is a day older, I’ve already said plenty — and who knows if it ultimately will, but 45 minutes after it went up, she IMed me and said, “It’s already gotten 5,000 page views.” Just checked, and it’s about 6 hours later, it’s gotten 24,000.

Yes, my head is enormous right now, but that’s not the point of this post. Well, not completely.

Here’s the interesting thing about all this: All I’ve done is say that Roman Polanski raped a child, fled before he could be sentenced for it, and thus, by any reasonable standard, deserves to be punished — all of which is a matter of public record, except the opinion on punishment, which is common sense. I didn’t break any ground here. I didn’t uncover any news. I didn’t turn a phrase so exquisite it will be studied in lit classes in 100 years. I just called a fugitive child rapist a fugitive child rapist.

And it turns out a whole lot of people were waiting to hear someone say just that, straight-up, unencumbered by a bunch of bullshit about the importance of his work, his artistic genius, his age, whether his victim looked 13 or not, the judicial misconduct that marred his case or, most gallingly, the “punishment” he’s already “suffered” by spending more than 30 years in “exile.” (If being wealthy, successful and almost completely free to roam Europe counts as exile, sign me up.) A whole lot of people really just wanted to hear someone in the media say, “He raped a child. He fled the country. He damn well should have been arrested, he should be extradited, and it really shouldn’t have taken three fucking decades to make that happen. The end.” But very few people in the media did.

Why is that? Why have so few journalists stated the obvious? Why have I only heard about three people in the film industry (Kevin Smith, Luc Besson and Greg Grunberg) saying, in essence, “He fucking drugged and raped a kid, and he’s not above the law,” while hundreds of celebrities are signing petitions demanding his release, wearing “Free Polanski” buttons and trying to spin his arrest as an attack on artistic freedom? Why am I suddenly a freakin’ darling of the right, while a bunch of liberals argue it’s been such a long time, he’s suffered so much, he’s so old, he survived the Holocaust, his wife was murdered, and oh yeah, did you see Roman Polanski: Wanted and Desired? JUDICIAL MISCONDUCT! JUDICIAL MISCONDUCT! (Let me be clear: Judicial misconduct sucks, and there does seem to have been some here. Polanski and his lawyers have every right to vigorously protest that. But whether he raped a child was never at issue — only his sentencing for it — and also, HE FLED THE FUCKING COUNTRY instead of pursuing his concerns through the legal system.) As Mother Jones editor Clara Jeffery tweeted earlier today, “Seriously, all it takes for smart lefties to believe Polanski [should] not be punished for child rape is agitprop documentary? Pathetic.”

Pathetic indeed. And yet.

The overwhelming response to my posts is as heartening as it is head-embiggening. Far more people than I could have imagined were thrilled that someone came along and stated the obvious. But still, “Roman Polanski raped a child, end of fucking story” is far from the dominant media narrative about the case right now. Still, people are endlessly debating whether it was appropriate to arrest a fugitive child rapist.

Why do you suppose that is?

Story prompts in 140 characters or less

In Writing on February 6, 2009 at 9:50 pm

If I still wrote short stories, I would be obesessively following SecretTweet, the Twitter version of PostSecret. I’ve only read two pages of secrets, and I’ve already gone, “Ding! Story idea!” half a dozen times. 

Consider: 

My wife is asking why I am so moody. My secret mistress of 20 years just died of cancer. I need to talk to someone. I feel so alone.

She’s a compulsive liar, a pain addict, a cheater and a slut. Too bad she just so happens to be me.

Had a choice between two guys to be with a couple years ago. I now know I chose the wrong one.

My alcoholism is normal to my wife since she has so many undiagnosed alcoholics in her family. I hate it. Hello, I need help!

I found out that before my Mom left my family, she had an abortion. My father didn’t touch her for a year before she left. Whose kid?

If you write fiction, it’s a goldmine.

(Via Big Fat Deal)

Feed Me! excerpt on Salon

In Writing on February 6, 2009 at 3:35 pm

Hey, I forgot to mention that if you want to read my essay from Feed Me!, you can do so at Salon. But you should also still buy it, and then give it glowing reviews on Amazon.

Yes Means Yes! and Feed Me are out!

In Writing on February 4, 2009 at 10:14 pm

ymyreadingHere’s me reading in Cambridge, MA, last week to promote Yes Means Yes! Visions of Female Sexual Power and a World Without Rape. 

The reading — also featuring Jaclyn Friedman and Toni Amato, and hosted by the kickass Center for New Words — was fantastic, except for the part where I literally fell on my face four times. Jaclyn says there were close to 200 people, and it was a phenomenally supportive crowd. Would that all readings were like that — I’d take a sprained ankle every time as a trade-off.

Anyway, what this means is that Yes Means Yes! is out there in the world now, so you should go buy it! 

Even better, so is Feed Me! And soon, I should have info about a Chicago reading in support of that, also featuring Wendy McClure and Joan Fischer.

In other news, I have set a personal goal of only appearing in anthologies with exclamation points in the title.

Truth

In Writing on October 15, 2008 at 12:37 am

In Defense of the MFA

In MFAs, Writing on April 16, 2007 at 3:59 pm

I was reading the Guardian Books blog this morning, and I came across a line so throwaway I’m not even going to link to it or take the author to task for it specifically. But I’ll tell you what it said, so you know what triggered my ire:

“Now, with creative writing courses churning out novelists by the hundred…”

Half a sentence, containing no explicit judgments whatsoever. Pretty incendiary stuff, I know. But it got to me because I am so fucking sick of this meme that’s sunk its teeth into the cultural conversation (such as it is) about books and writing over the last few years: that creative writing programs are somehow creating hordes of writers who have no business calling themselves writers. (See also: Creative Writing Programs Foster Mediocrity; Real Writers Don’t Need No Skool; Shakespeare Didn’t Have a Goddamned MFA; and No One Wants to Talk about the Real Epidemic Threatening Our Children Today–Bad Writing!)

If you didn’t know and haven’t guessed, I have an MFA.

But my point here is not to defend the credibility of my degree, mostly because it’s already too late for that. Newly minted MFAs are routinely cautioned not to mention that credential in query letters, because agents and editors will merely roll their eyes and say, “Great. Another one.” Another product of the mediocrity factory, another dupe of some university selling false hope to the profoundly untalented at $30K a year. Seriously, the only people impressed by an MFA in writing are those who don’t write and never worked in publishing. Restoring the degree’s reputation as a literary credential would take a lot more effort than I’m willing to put out.

But there are still plenty of reasons why MFA programs aren’t utterly pointless and certainly shouldn’t be blamed for the scourge of crap writing. I can at least make the effort to draw your attention to those.

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